Archive for July, 2008

For the Love of Poetry

Jul-31-2008 By admin

“Work is love made visible.

And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gates of the temple and take alms of those who work with joy.

For if you bake bread with indifference, you bake a bitter bread that feeds but half man’s hunger.”

~Kahlil Gibran

The Prophet (pg 28)

I absolutely love to write poetry. Nothing fills my world with joy more than grabbing my favorite pen, a notebook, some quiet time and sitting down to give birth to a new poem. I liken it to giving birth since it is often a painstaking process and can take up more than a few hours of my time. The end result is my “baby.” Most of my babies end up here at writing.com waiting for precious feedback from you, the reader.

In regards to the quote above by Kahlil Gibran, he is speaking of cooking which can, again, be compared to writing a poem. Poems cannot be written with indifference, for if they are they leave your reader hungry for more. They can also leave{i}you{/i} hungry for more. They must be written with love. People who don’t love to write poetry often make poor poets leaving us, their readers, not satiated and wondering why they bother to write at all.

To love poetry, you must love words, sounds, and rhythm and it helps if you have an affinity for similes, metaphors, allusions, personification and even some rhyme. (There are many other items but these are just the basics.) Without these tools poems often come out trite and bland. Most of these tools can be found on the web so I won’t go into detail, but will give you some brief definitions (from dictionary.com).

Words and Sounds: you all know what words and sounds are so I won’t bore your with definitions

Rhythm (I used definition seven as I felt it fit poetry the best): the pattern of recurrent strong and weak accents, vocalization and silence, and the distribution and combination of these elements in speech.

Simile: a figure of speech in which two unlike things are explicitly compared, as in “she is like a rose.”

Metaphor: a figure of speech in which a term or phrase is applied to something to which it is not literally applicable in order to suggest a resemblance, as in “A mighty fortress is our God.”

Allusion: a passing or casual reference; an incidental mention of something, either directly or by implication

Personification: the attribution of a personal nature or character to inanimate objects or abstract notions, esp. as a rhetorical figure.

Rhyme: identity in sound of some part, esp. the end, of words or lines of verse.*

*Note that rhyme doesn’t have to be at the end, it can be internal rhyme as well.{/i}

So, if you love poetry as much as I do, go out there and show us by using all the tools you can to make a beautiful work of art that can be enjoyed for many years to come! Let your love of poetry shine through!

Terry J. Coyier is a 37-year-old college student studying for an Associates of Applied Sciences degree. She is also a freelance writer who writes about a varietry of topics. She lives with her son in the Dallas/Ft. Worth Metroplex. Terry is an author on http://www.Writing.Com/ which is a site for Writers and her personal portfolio can be viewed here.

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A while back I heard haiku poetry referred to as a description with a weather report. And while this may not always be the case, it’s pretty much true!

Haiku poetry uses the concept of macro and micro very well here. For example, if I started a haiku out with the fragment “cool spring day,” what we have here is a macro description of what kind of day it is - a weather report if you will.

Now, if I add a specific descriptive phrase to it like “a hummingbird darts out of sight,” we have a micro view of something happening on this day. Combined, we have this haiku:

cool spring day –
a hummingbird
darts out of sight

Good haiku poetry need not be more than a description of the general ambiance of the day and something that is taking place during the day. As long as what is taking place is happening in “a present moment” the haiku will be OK. The problem some people have is that they remove themselves from the thing “as it’s taking place” and describe something that already has or will happen. Not very haiku like at all.

Personally, I have a problem with haiku poets who try to be sophisticated thereby losing the haiku spirit. They try to write something that is “good” or they try and come up with something that will impress others. Don’t do it! Keep it simple and your haiku will be little gems.

Edward Weiss is a poet, author, and publisher of Wisteria Press. He has been helping students learn how to write haiku for many years and has just released his first book “Seashore Haiku!” Sign up for free daily haiku and get beautiful haiku poems in your inbox each morning! Visit http://www.wisteriapress.com for haiku books, lessons, articles, and more!

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1Walking in the Snow

(New Years Day2006)

The winter wind whistles, harmoniously

with happy snowdrifts, miles long

and my shoes, like car tires

grip the ground, they chop through
away the whiteness.

The day is calm. No birds fly

across the sky. Hercules

is asleep. It must be this snow

we need to balance our equilibrium,
this snow: calm, white and cold.

Dedicated to my goddaughter, Ximena Herrera Pe

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